Saturday, October 25, 2008

Bye.



Where am I? I wish I knew. Good-Bye Giant Head. My heart is muerto? With world completely upside-down, goodbye to the bee. Goodbye to the knee. Goodbye to meeting in dreamworld, if there ever was one. Goodbye to poke poke. Goodbye to Mount Lemmon. Goodbye to burger-jaunts. Goodbye to chin hiccups. Goodbye to hairpulling. Goodbye fingerpulling and cracking knuckles. Goodbye Gitane. Goodbye shivery lake swims. Goodbye Bahia Kino. Goodbye blind-climbing. Goodbye tamales. Goodbye to monkey box liaisons. Goodbye broken-winged bird. Goodbye turd. Goodbye baby. Goodbye to pictures. Goodbye face. Goodbye hammock and hug. Goodbye egg cream. Goodbye mouse in the house. Goodbye the Santa Suit, arriving on Wednesday. Goodbye to the world that is too many people not enough in love. Goodbye to the bean. Goodbye to the many toe enamels. Goodbye bum thumb. Goodbye lega tibs. Goodbye avocado rolls. Goodbye Halloween. Goodbye Cannondale. Goodbye long fingers. Goodbye little snores. Goodbye chicken sausage. Goodbye Gogol. Goodbye Bordello. Goodbye bamboo bike. Goodbye Jimmy Santiago Baca. Goodbye português. Goodbye longboard. Goodbye black dirt and resolution, Rose Captain and song for the dead. Goodbye ringlets. Goodbye green dress. Goodbye Oscars. Goodbye kirtans. Goodbye 7 Falls. Goodbye Dustgarden. Goodbye cabin. Goodbye little t-shirts. Goodbye Evo. Goodbye green toothbrush. Goodbye running and riding. Goodbye Lights on Friday Night. Goodbye to spooning. Goodbye evening ice cream. Goodbye red dye in my sink. Goodbye cherry pancakes. Goodbye young one, who don' wanna go crazzy with me.

Thursday, October 23, 2008

Elision Sonnet

ii.

I run the Superman equation.
It runs, like an apegirl on a drainpipe,
up a curve, then breaks off
into a period.
Or an exclamation punt.
********* reminds me of plastic bags,
dancing in the wind.
But crime is everywhere, Supe.
And I, too, have been trans*****ed against.
Now my days are filled with work
And occasionally cake.
To what dark galactic hollow could you hurl me,
Kal El?
What quiet place?

Wednesday, October 22, 2008

Elision Sonnet

i.

I was standing.
You came behind me and put a knee into my knee.
It was winter.
Someone saw us moving from inside a ****way.
We pulled each other fast and cannibal’d time.
You must guess that we are time.
The wrong moment for the right folks.
I guessed it long ago and something.
It holds water?
It was a story that told a poem.
It’s a double why.
I thought I could bend ****.
The wind pushed us together.
We huddled and huddled.
Where the hell is that underground passage?

Tando via Pennsound



Hear my May 31st (this year) reading at the Bowery Poetry Club in NYC as part of the Segue Poetry Series, hosted by Tim Peterson and Erica Kaufman.

Just go HERE.

The guy howl-laughing in the background is my old high school pal, Richard Kim!


WRATHFUL

A L*****G Method



Go ahead and clack when walking. Make that umph sound when striking, using a superman punch, overpacked, energetically realizing all highness. Give someone a long tall drink. Drink them cool milling molecules, young outlaws in the surround. Someone shadowed her collective documents and gathered things with her deadpan wedgeface. Ninesense and reading teams, nickel and Cadillacs, shouldering the wait of ten years in a bag. Goliath down to your watering whole bag of feed and knuckles in two pockets, spilt tiller up in a ground. Range over acidic econo-dollops, fly fast away from a fickle folkster figgering ways to git free. Dumb heads touch faces, wonder about sleep, keep wallopy uppercuts coming out in springtime. Soul-bare idears get met with shut-up shit-blanked hater moves. Just flow, go, screen-dense yoga purgation, rut out dank corners of tomorrow and chase things on a bike.


Tuesday, October 21, 2008

bomomo





Friday, September 05, 2008

Beginning A Summer Summary

This spring and summer I did several readings, as my book, The Comeback's Exoskeleton, came off the presses in April. I've said this before in print and in public, but BIG thanks go to Zohra and Robert of Upset Press.

My first reading, which was a sort of homegoing, took place on April 7th, as part of the Wolfe Institute for the Humanities lecture and reading series at Brooklyn College, where I did my MFA in poetry. It was great to see Julie Agoos, whose newest book is Property, and L. S. Asekoff, with whom I studied extensively.

Next, on May 3rd, I read in Tucson, for the Poets and Artists collective POG. I was the opening act for the illustrious and strange Leslie Scalapino. You can hear my reading here.

I then read on May 31st, in New York, for The Segue Series, with Simone White, curated by Tim Peterson and Erica Kaufman. This turned out to be both delightful and strange, as a dear old friend from high school, Richard Kim, showed up, along with another friend, Michael Ranson, from my undergraduate days. After the reading my parents and I dined with Tim and his family, Erica, Simone and other guests of the reading at a lovely Indian restaurant on the lower east side of Manhattan.

Thursday, July 31, 2008

The American MONKey

I fantasize about having no money and no debt, just roving the land like an American MONKey, sleeping under oak trees and at the edges of farms, wandering to doors with open hands, asking for a morning meal, then roaming the forests of Washington, California, Maine, sitting to meditate under trees, under the shelter of stones, meeting garrulous raccoons, eager chipmunks, kind snakes, Oh I'd be the American MONKey, with a short fuzzy haircut and fond memories of lightning storms that tested my nerves, tested my concentration, and I'd find myself improving, getting better at wanting what I've got, not questing for what I don't, Big I becoming little i, slowly, deliberately, with the changing of the seasons, fearlessly advancing in age and wisdom and my capacity to laugh at myself, I'd have to give up my bicycles, my music, computer, food in my fridge, close ties with lover and friends, leave for the forest, head shaved, feet trembling and willing to take me on the inner path to a silent sitting, a sweet quiet bower of the mind, plenty of green, no greenbacks, but an over-arching sense of lightness.

But, for now, I am the American debtor, full of loans and bikes, goofily complex idears, a monogamous relationship, a continuously re-managed cluster of sense-addictions.

Thursday, June 05, 2008

Reading at the Bowery Poetry Bar




Had a wonderful time reading at the Bowery Poetry Bar with Simone White in NYC on May 31st. Read Tim Peterson's delightful introduction and see a photo from the gig at the Segue Series blog, here:

segueseries.blogspot.com

Thanks to Tim Peterson and Erica Kaufman for their wonderful work curating the series!


POGSOUND!

Recently (May 3rd) I gave a reading in Tucson with Leslie Scalapino for the Tucson poetry group POG. It was a great time, great crowd and I read for almost half an hour. You can hear the entirety of this reading by going to:

www.pogsound.org

Scroll down the page and you'll see my reading, under my name, among the other poets and their readings. Enjoy!





Thursday, April 17, 2008

Good Words For All of Us

From H.E. Situ Rinpoche

Tuesday, April 08, 2008

The Comeback's Exoskeleton

My new book has just arrived in the world. It's full of all sorts of poems and mind-shards for you to fun around with. I wish I could give everyone cigars, but I don't have everyone's address. So, to share the joy, git yourself a copy!

You can get one by visiting upsetpress.org.

Enjoy!








Brooklyn College Exoskeleton Inauguration

Here are two mp3 links to my first reading from my new (and first!) book, The Comeback's Exoskeleton, given at Brooklyn College on Monday, April 7 at 2pm:

Introduction by L.S. Asekoff and Inaugural Reading

Q & A Session



Tuesday, December 18, 2007

Multiple #1

Your something this and your something that and did you get enough sleep this month, this week, this year is a strange one. You go to interviews you write and you think and you write until your hands come off or it feels like they do and you try to breathe and you ride your bike up and down hills and hills and something like the shortness of the day closes your eyes for a moment and you are up again and doing it again there is no next day only a sense of again again again. There is the disc, glowing the sky, our sky, a musical place with animals and yams to hang on. Some sort of glow comes from inside our hands, our writing hands are re-wiring and something goes, making sounds as it goes, making me (us) ((our multiplicity of selves)) into something more, something rich with sound and unconnected rhythms, something about loving makes loving easier, something about all of this regarding the frightful truth. And friends in strange hats make things easier to see, to understand the roil of sounds inside, axle grease, refusal to fight, switch and be progress, be all over sound, be fire trickster and range rider, steel tube rider, with wheels below and a shocking sense of hair getting thinner, urgency of poetry and urgency of torque, legs, et cetera. Something about memory and smell. This, then again, maybe this other.

Sunday, December 02, 2007

Series Of Teams

What it means to be sad and unheard,
Why the door to the roof is locked,
Why children fear basements.

There is the ground,
Up where the sky begins.
The ground’s dissonance makes it beautiful.

Shining through soliloquies
Of lamps and translucent skin,
The voice of a lonely man roves towards town.

Thinks the voice: How to be a part of something that rings,
How to leave this old blandness behind?
I could be a bandit, stealing food for my family,

Or slip away unseen,
No one knowing I was here when the world was dying,
And become an inert chunk of time.


The voice trips over hills between fields,
Dissolving as lights from town approach.
No alarm sounds.

The plight of being made of thought, rats and voices alike:
One team must seek, the other must flee.

Thursday, November 22, 2007

His Language Of Need

And he makes them, and makes them, and he makes animal sounds, he makes animal sounds and the day is, and the day he makes animals sounds the day runs into ruin, as the sounds run and he makes it, he makes them run, he rolls them, rubs the river, the day changes, he makes the day’s changes and it makes him, it names him, the animals name him, they go to him, he seeks them, they turn to him and he turns the day, the day runs with him, makes him something, goes toward rivers, makes changes, his sounds, make them changes, make them bread, make them with eyes and long uninterrupted swing sets with horns where eyes are, horns above lightning, feelings in the deep, in the war, he makes war with animals in his mind, the animals don’t befriend him if he makes war, and he makes it, he puts his face aside, he runs with the combinations, he retools things, makes everything run in the belly of animals, of scared people he knows, of walls, and he resigns, he goes to the basement, he keeps his tools there, he makes sound there, makes words and elephants, big elephant words that carry him in his war with words and animals and walls and the frayed ends of his liver that he wonders about in his medications, he sweeps aside things with his hands, his hands roll the grass up and take everyone to the river and to the train tracks and to the prison cell, he sneezes peels, he syrups snowstorm snowdrifts, he shadows his hearing under snakes, he envelopes crying, his tears tear his jaw down, he slumps, he feels horror, he goes to the people, they cry around him, they take his liver out, he looks at it, they are afraid, he is afraid, they feed him to animals and his liver regrows him, he is alive again, he is not angry with people, they took care of him, they did what was necessary, they eliminated the ardor, they followed through, they made him whole again, they fed him, they gave him a sense of when the time would be right for him to go on a journey, he went, he came back, they thanked him, everyone was having lunch, they sat him down, he told his story, they ate his story while they listened to him speak, there were bones making noises in the rooms inside their houses, the war was in their houses and the man told them of their war and they ate lunch, they had lunch next to the man, gave him sandwiches and salads and soups and they saw something of a feeling coming out of him and he was alone in that he could not feel them seeing that something was happening to him, he was alone and they were together and they felt him give way, he felt himself give way, there was something to say and he couldn’t say it, they listened and he said it but they could only hear their own hearing, them feelings, they thought, them feelings he’s having, it’s the war, they thought, it’s the war, and they asked if he wanted to leave them and he said no, and they stopped eating and asked him to sit down again and he took his arms and did something with his arms, used them in a way they could not understand, he made new words, made words without sounds or symbols of sounds, made unconnected wheelings of arm words and he left them thinking he might come back again, then the sky allowed for his passing, the light covered his shoulders in orange and he was washed clean of even his name and feelings and any other forms he used when was alone, now he was his own together with the dawn and the rich animal sounds coming from the river and his newly formed words that only he knew, his language of need