A million miles under the lamps. A million miles in rain. A mile for every shoe you've never worn. You can see them now, shimmying in the given starlight, becoming soil in endless graves, worn and waiting in the foyers of a billion homes. And the planet wrinkles like a crow's foot, chuckles onward through night. Statues and statues of selves in the tsunami whorl of history. And history is a ruse for thinking that we make time. Of course time makes us, then lets us go. These horses in this field...what bridles and what bonds can hold you, when you see beyond the rim of the world?
Songs and stories of infraction. I need to tender my heart, huge and weevil-addled, unfurling in wind. A demon ache. A love. If there is a love in me, may it swirl forth. I am unproduced. This is the stuff of silliness and myth. Whatever me there is begins with a goof and continues with death. The outline of my body in time. The digital wisp of night in the internet.
It strikes me that I was replacing how much I missed you with how much I wanted her. But she was the stand-in for how much I wanted to rescue myself, like the old sea turtle. I watched her lay eggs in the sand, 85 years old and still trying to save her species, still willing to swim the high seas, through oil slicks and past the ghosts of battleships.
I had your favorite music playing while I twisted her. It was the best. She was in love with me and I was in love with the you in her. And none of us was actually there.
It was the perfect seance. Cherubs crushed their faces against her windows, trying to get out. It's been years and I can only write about it now. Because I am in time, but not of it.
And time recalls me, works me back to those cracking moments with little bruises and short breaths. Eyes were on me and I didn't know how to do spring in autumn. It was okay to be alive, but not okay to want. In this nocturne, I'm counting the faces of my former selves like beads on a rosary.
Your arms were long and I was in the rain. We turned wishes into earthquakes, chuckling away while the world fell.
Then we went where two rivers met. We saw how we held hands the first time and laughed. We saw ourselves in pictures and stepped off the canyon edge into a willing sky. We flew for a while and knew every blue flower. This was all the roughness before civilization. We had to make complete cuts, meaning nothing and nothing again. Up against every word. I'm up against all of them and they form a thirsting army. You had a knife on the rim of your halo. Your scent was gasoline. There is nothing like a corpse. It does not wait and it does not want. It changes every minute and it does not regret. There is nothing like where bees come from. Not springtime, and not God. That was always a thick and foolish foolishness. Then we put our hands in soil and our hands were covered in soil.
Quick breathing in the open break, worlds away from toasty destiny, I'm with you and our past, shivering in alleys and cold hallways. In cold walls and eastern walks we gathered our stolen hearts and shared them up again in brightish light. Then fire bit our hands and we shoved off, our cabin wheeling. Cave spun, hair tangled in smarting roots, we dozed for a while and struck racking seas. The wreck of storms was for us and for distance and in my life I saw you polishing drab stars. My shoulderblades unbuckled and trees bent sidewise in a warming wind. I was all for finding perfect moments in our veering mind.
A cheery band of brigands cradled the thicket of silver in their eyes, retired forethought, afterthought, and simply went where the growing was warm. They took toads with them. Old toads that stammered and halted until their feet could hardly kick. Stunted feet in crisp envelopes. Under a bush a painter sat, wondered aloud in the silence and made do with hooey. The gun stunned the fly and the liar. A hokey shadow named itself King Me, and played at the lacquered instrument until my hands could almost move without. Water poured on things that grew, then went back down. A tired functionary filed the form to end addictive delirium. A banker unfroze the accounts and went warbling through the town for the sake of songbreaking. He skipped in the rain. He rejoined the fish and added the day to the list. And the names, too.
Filing into the hovel, towards tenderness, the ants gathered at the feet of the squat old man. He had long since gone beyond disgust. He would never harm them. They were old and he was old. They were dying and he would sweep them into the jungle when they expired. He would sprinkle them onto good soil so their dead bodies could nourish it. They were confident in their feeling that he would care for them. How strange for the ants to think this way. Of course, they did not exaclty think. Their thoughts were, in fine, formations of the old man.
Long gone from the boil, an old pot gathered in the corner and shouted to everyone: "I am old, a dead vessel, full of ruses and knuckles and the way you look at me is broken." It tumbled forward and extended its arms out into the dust, awkwardly rolling from side to side, with nowhere to go and no one to help it. Everyone was gone from the house years ago, and only the beams of sunlight were there to witness the scene. The old pot, rolling from side to side, the cold blackened fireplace, the sunbeams, and the dust. They made a family and agreed to stay together until that grande dame, night, came calling. Then they would forget themselves again and roll about in wasted solitude. It was an altogether fine reality. The walls leaked cold air all around them and no one had a care in the world.
To be in touch with sides, and to walk along a shifting
sandline, these are approaches to civilization. Then the rocket. And the fault
lies with earthquakes. And children discover the mystery of solids. No souls, only
spheres that vibrate when we approach. Chives and potatoes. And mercury. That
silver quickening of black blood waiting in the trees. A proper face and a
warming hand that adjust the collision. The comfort of dolls, the slats between
the moments in time. The boy with his hand in his mouth. The boy with his
speech sliding to the horizon.
A thief sits in a landscape he stole even though it was already his. He is throwing away everything of value. The sunset. Birds. Wind on the water. This has to be done to make room for the beginning. He throws out ownership and the myth of things. He throws away language and the calliope of symbols. He throws away plastic. Cantaloupes and cardboard and air. He lets his own mouth do the breathing for once.
Wondering a oneness, a silent conclave. Nothing goes hurtling across the sky. Everything and everyone, all shouting down from disappearing clouds. Hands shift in hands and nerves leave them behind, to grieve in their own cradle. Goners get gone.
Distinct in the shadows: these old feelings. The dark awake, when the bright cold buildings meet me at my window. Then a heavy breath is routed and I am without. Just a shift of thought, a glistening scarf on a velvet chair.
Meek tones in the margins, a paraphrase to busted longing, a mute descent, these coarse cuts. Hear this, and bend in thought. Hear this, and go below. Attunement.
Home is where the cieling is. All blue and far away.
An Italian-American Spaceman Foresees His Death:
Smashing against ashen walls, alone in space,/
Weirdly wired, mind warping/
Through the void, veering over/
The vapid edge of madness, mumbling aloud,/
"Per aspera ad astra, you young asshole./
It’s a rough road to the stars, Rotando."