Sunday, August 09, 2009

Tangerines From Your Crow's Feet

He wallops a few flim-flammers on his way to the breakfast drizzle. Chlorine eyes and a shank of ice function as a makeshift pen. He knows about his target, trusts his team, and stirs ellipses into the mix. Frogmen gather at the corners of his mouth. Their assault on civilization and its hortative practices is imminent.

He brandishes a cutlass during an endgame morphology presentation. His cordage is wavy in a nautical light. He sees the microchip in your wobbly hand, notices you're fine, memory's fine, nostalgia's fine. Wearing a suit, he has every intention of showing you his cover i.d. He makes lemonade with tear gas and a battering ram. He figures out a way to keep force out of the equation. And this time, he knocks.

He ossifies your weedy arms, trundles off to probe symphonic destiny. Grins hang heavily from window trousers, beering around after the old dark. Negative ray, positive horn. An elbowful of mystery parties jangle on the docket. Music is grout in the space between you.

He rues time, bumbles lines before a Naga King, rearranges green curry molecules, feels the sting of an old sea tune, "as hit is breued in þe best boke of romaunce." And, amid an ear-y clangor, "bronze by gold," he "hear[s] the hoofirons steelyringing." Is he goatman, dogbeard, beewolf, stunned electric wire...something in between, perhaps? A turnpike of the feelings, trying and new. Some kind of field resonance.

He has been relegated to the "Obscure" pile. His hair and nails keep growing, though, while his nose hunts around corners, looking for a sandwich or a Karate-town.

He parties with one ear open, listening to your baby blue hair, running sideways down a sideways alley. His arms go down into the earth and his neck flops thisaway on the pavement. You see him spin, giddily, in a fly eye. His pants are made of cannoli and his shirt of broccoli di rappe.

He toils in sand with an old radio, bings out to roller-chango music, and stands reacting cagily to windpipe's gurgle. When you wake to clacking trains, think in a similar fashion. People get up every day and look down at the earth. Fields of muscles sweat out strength, and asphalt actually needs cars to stay viable, pliable. Holidays abound like so many founders of thought. Thus, record your celebration.

He pockmarked the sun today, used a stain instead of a hose, ate seeds of true rain. Can't wink to shave a few monies off your benign rumor? Toe the hammer, tundra down your knees. He'll meet you at the anti-freeze. Is there a dog you scatter windward, enough to make it back to burnt lands, hover and run in blues? Then go. Your field awaits. He's all sorts of there. Merely, merely, life is but a seem.

He chatters and sticks a new cat in your nunchucks for your Bruce Lee, blazing from your bike wheel. Limbs all akimbo, revenge in the torpid air, whiff this pong for your hangman game. Why go rambling when you have mind waves to walk on? And you do walk on, year after fall, down again in a storm of baying dogs. Roll to see if you survive a fight with a giant man, a ticklish grackle, or a world without chance.

He is in the middle chance and weeds or gloss with smooth stone and kids meander in a remembering place. Fire for a chill stove opens a stone gate without ancient purpose or an animal smattering. Living in vast thought asks how to wake the eating mind this day; forgiveness postures up the road and sheds light, guilt, and every sick, together with what you need to begin an old lizard séance collecting biting stillness.

He reads uncharted books, maps to your quest, robots get you all the way to a knowing country, maybe India. Horses in the clean streets, washing fish in handy rain, yellow carvings. All carpenters wander in search of inspiration, eventually end up in trees. You look to the end, your proximity makes him an origami man.

Monday, July 27, 2009

Embrace

Big books, big seasons, melting everything in bug sounds, no sleeping in that decayed secret. Beginning with slumber, you tear your drunken hair out. You fall down into text, stop breathing air, taste a version of death, know one star. We devour each other's messages, study meaning, make homes with strangers. Trying for growth, we find only the short mystery of a water dream. Smell the hot lavender of summer and embrace a ghost, exhausting your way of seeing the past.

Thursday, July 23, 2009

A Happy Quaddroid

Abscond

Holy grapes, hearty mouth, harrowing hearts and tinny sobs, sunny arterial ceremonies bounce new waves of winter off memory caves. Even tongues find a pictographic road to tarnish, make contact with forgotten love, and release. Words return to trees and die when the leaves fall.

Thursday, April 23, 2009

Upside-Down Jabberwocky

Here's me reciting Lewis Carroll's "Jabberwocky" while standing on my head at the University of Arizona's English Department Talent Show, on April 17th:

Tuesday, March 31, 2009

Supe's Space Fortress



This image comes to us via comiccoverage.

Wednesday, March 11, 2009

Millenial Blooper

Here's an outtake from a first rehearsal for the poem "One Hour Happy Millenium." It cracks me up:

Saturday, March 07, 2009

Wednesday, March 04, 2009

Monday, March 02, 2009

There's A Fire In My Vitals, Said Old Widow

Stanzas Sans Hats

for Alicia Marie Howard

Absorbed In The Park Of Joan Miró

Apology To My Busted Toe

This is the third poem
I've written about a toe.
But the first about you,
Or any of my own toes.
The other two were poems
About the toes of girls
I loved.
I'm sorry you had to snap
Before I paid attention
To you.

A Train Jumped In Front Of A Woman Tonight

Story Of Learning

Sunday, March 01, 2009

Anatomía and Anatomy

I'm going to read to you from my book, The Comeback's Exoskeleton. I'll read a few poems each day. Hopefully, time and technology will allow me to read you all of the poems, eventually. I'm going to read in the order the poems appear in the book. I hope you enjoy. The first poem of the book is "Anatomía," in Spanish, with the English translation, "Anatomy," following it:




And here's another version.

Saturday, February 28, 2009

That Can-Do Spirit

Miguel de Unamuno was wrong --> it’s not our reflections we fall in love with when we look in another’s eyes --> it’s the scent of our own breath bounced back at us by the breath of the other breather. To my question, Lisa answers “the universe IS time travel.” And so the lover is always taking away my own out-breath upon leaving. And I can control my muscles and make my heart go 185 beats per minute --> but I cannot make a text turn into life --> magic IS the imagination, we know it, we face it --> and I dream about you every night --> And if you think about the muscles and the bones in your face as you smile, you will be too anatomically aware to be really smiling, and your smile will be an act of musculature, the ghost tracing of your emotion. --> So examination of emotion is always an examination of its after-effects. O, thought itself is an apocalypse, which is just okay, as a broken, though adequate, way to navigate anyone’s life --> So every poem for the next 1000 years will be about that dream, and in every life after this life when we meet I will already be writing about you, but neither of us will know it, and as we fall in love and fuck and leave each other over and over I will dream both this dream somewhere deep and far away from remembrance and another dream above it, and reinforce the pattern, again and again. At the end of 1000 years I will be finished, no matter what we have become to each other --> and I will take a deep breath and open my metaphysical wings and dissolve into air and be done with dreams --> and if my air car has a cracked header by then, I will become All air car, or an economist. And, of course, Miguel de Unamuno wasn't always wrong.